They include: "Homicide," "Law & Order," "The X-Files," "The Beat," "Law & Order: Trial By Jury," "Arrested Development," "The Wire," "30 Rock," "Law & Order: Special Victims Unit," "Jimmy Kimmel Live!," and "Unbreakable Kimmy Schmidt."īefore playing Munch, Belzer was known for his stand-up comedy. Munch appeared on 11 different TV shows, which has never happened to a fictional character in the history of television. But he was so good at his character that Belzer's Munch also found his way on other shows on other networks, which is unheard of. Playing the character detective John Munch, his sarcastic charm made him a fixture on shows like "Homicide: Life on the Street" and "Law & Order" for years. Since the early 1990s Richard Belzer was synonymous with the TV police procedural. No cause was given.ĭonna Svennevik/Disney General Entertainment Content/Getty He died on June 29 at his home in Carlsbad, California. He won his Oscar for his role as Edwin Hoover in "Little Miss Sunshine," the 2006 critically acclaimed dramedy.Īrkin was also a six-time Primetime Emmy nominee, more recently for his supporting role as Norman Newlander on "The Kominsky Method." He nabbed his first Oscar nomination for his leading role in the Norman Jewison 1966 war satire "The Russians Are Coming, The Russians Are Coming." Arkin earned additional Academy Award nominations for his roles in "The Heart Is a Lonely Hunter" and "Argo." Quickly he moved out to Hollywood and found instant success. He made his Broadway debut as David Kolowitz in "Enter Laughing," earning his first-ever Tony Award for best featured actor in a play in 1963. Whether he played his gruff style for laughs or drama, he was always top notch. Spanning seven decades, the work of Alan Arkin will be remembered forever.Īrkin, with his Brooklyn accent, was never hard to miss. It often indicates a user profile.Īlan Arkin in the 1966 movie "The Russians Are Coming the Russians Are Coming." These scenes are givens - and should have been given away, to make room for laughs that could come from characters, dialogue and conflict.Account icon An icon in the shape of a person's head and shoulders. In the least amusing of several would-be running gags, a bum outside the hotel does double-takes when he thinks he’s seeing double. One doesn’t recognize the Italian but the other one does. One begins a breakfast and the other finishes it. After the babies have been switched and the premise has been set up, far too much time is spent with the futile manipulation of the four characters in the hotel. The fundamental problems of the movie all can be traced, I suspect, back to the screenplay. The Jupiter Hollow Midler seems unfocused, and both Tomlins seem to be the same rather vague woman who has trouble with her shoulderpads. The most promising character probably is Sadie Shelton, Midler’s New York company executive, who has the potential to be a bitch on wheels but never realizes it. Midler and Tomlin can be funny actors, but here they both seem muted and toned down in all of the characters they play. The life all seems to have escaped from this movie. The impending sale inspires the Jupiter Hollow women to travel up north to New York for the annual stockholder’s meeting of the company controlled by the Manhattan women.īoth sets of women check into the Plaza Hotel at the same time, inspiring numerous flat and tedious scenes that are structured as if they were intended to be slapstick. Meanwhile, the New York Midler wants to sell out the factory and the town to a shifty Italian investor who wants to strip-mine the whole county right off the map. They work in the local factory, which has manufactured porch swings from time immemorial. But the Midler/Tomlin team from down South in Jupiter Hollow is a little nicer. Both Midlers are conniving and materialistic, and both Tomlins are flutter-brained and well-meaning. In its presentation of the two sets of non-twins, the movie backs genetics rather than environment as the prime formative factor in human development.
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